![]() ![]() В Ђ ”Boy, Were We Wrong About Dinosaurs by Kathleen Kudlinski (illus. ![]() ВЂ”The Truth About Po op and S ee How They Run: Campaign Dreams, Election Schemes, and the ВЂ”Th ank You, Sarah: The Woman Who Saved Thanksgiving and Independent Dames by Laurie Ha lse Anderson (illus by Matt Faulkner) ![]() H umorous nonfiction makes expert use of sentence structure, unexpected word choices, and puns to craft a voice that has an unmistakably sassy, silly, w himsical, or even irreverent tone. В Ђ”Under the Snow by Melissa Stewart (illus. ![]() ВЂ”Step Out Gently by Helen Frost (photos by Rick Liede r) ВЂ94Swirl by Swirl: Spirals in Nature by Joyce Sidman (illus by Beth Krommes)Į2 Ђ”The Secret World of Walter Anderson by Hester Bass (illus by E.B. В=8 0”Vu lture View by April Pulley Sayre (illus by Steve Jenkins) Lyrical nonfiction employs such language devices as alliteration, rh yt hm, and repetition to infuse prose with combinations of sounds and syllable s that are especially pleasing to the ear. These other forms are sepecially prvalent in PB nonfiction. But narrative texts are just the tip of the iceberg when it comes to creative nonfiction for young readers. In recent years, we’ve heard a lot about narrative nonfiction †”books that uses scene building, dialog, and other elements borrowed fr om fiction to tell true stories. ![]()
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